Tag Archives: Jayden Grahlman

Meaford Musical Community Shines In “The Last Waltz”

Review by Bill Monahan
featured photo courtesy of Patti Kendall

On Saturday night at Meaford Hall, “The Last Waltz – Meaford Style” was a celebration of our musical community unlike anything that has been seen before.  A complete sellout more than a month in advance, the show featured a cavalcade of home grown talent that was equal to any visiting talent that has graced this great venue, and the audience loved it.

The template for the show was the famous Martin Scorcese film from 1978 that documented the last concert by The Band, with all of the performers who had been part of that celebration represented here by local talents.  It was actually the 41st anniversary of the original concert, which took place at Winterland in San Francisco on November 25, 1976.  The film set the bar high for a group of local performers who had little more than a month to practice.  They rose to the occasion. The band was tight, often indistinguishable from their model, and each performer who contributed tributes to the other performers did a stellar job.  The energy from the audience matched that coming from the stage.

Jaret Koop photo courtesy of John Scerri

A few of the vocalists stood out with their ability to mimic the originals to an uncanny extent.  Drew McIvor’s take on Doctor John’s (Mac  Rebennack) “Such A Night” had that New Orleans drawl down cold, and Jaret Koop perfectly captured Rick Danko’s anguished vocals on “The Shape I’m In”.

Fran Bouwmann photo courtesy of John Scerri

Fran Bouwman did a great take on Joni Mitchell’s “Coyote” (and even looked the part), and Tom Thwaits version of Neil Diamond’s “Dry Your Eyes” sounded like the real thing.  John Hume reproduced not only the vocal parts but the keyboards (that beautiful Hammond organ sound) with fidelity.

Sandra Swannell photo courtesy of John Scerri

Others added their own special talent to the songs that reflected what they bring to music.  Sandra Swannell’s violin solos on “Acadian Driftwood” and the encore “I Shall Be Released”, and Emma Wright’s vocals on “Evangeline” were spine-tingling standouts.  Chris Scerri’s vocals, of course, are 100% his.  He’s a belter and his style made new versions of the songs he covered.

 

My Sweet Patootie and Emma Wright Join Cast of The Last Waltz

Chris Scerri is lifting the veil on more local performers who will be guests at The Last Waltz.  Along with the band that plays The Band, there are many other performers to reference as part of that concert. In this tribute, all of the performers will be local stars.  This week Chris announces that Emma Wright, Sandra Swannell and Terry Young will be on the program.

Canadian Folk Music Award winners Sandra Swannell and Terry Young, who live in Woodford when they’re not on the road, are currently preparing their annual Harp and Holly Concert Series.  They will joining one of the world’s foremost Celtic harpists, Sharlene Wallace for a series of concerts featuring baroque Christmas songs.  This is a side project from their main gig as My Sweet Patootie, the roots and ragtime band that’s attracting attention in the U.K. from their regular touring there.  Their annual Harp and Holly concert was born out of a love for timeless music that evokes something about the Christmas season that live in the hearts of all of us.  They’ll be playing concerts during the Christmas season at three local venues in Owen Sound, Colpoy’s Bay and Sauble Beach, as well as in Guelph and Oakville.

Being part of The Last Waltz, Meaford Style, gives Sandra and Terry a chance to share music with their community here at home.

“A sense of community,” says Sandra, “That’s what Martin Scorsese captured between the musicians, both on stage and off in the epic film The Last Waltz.” 

The Thursday Update – Oct. 12 to 16, 2017

Two new open stages are starting up in our area this weekend.  On Saturday afternoon, Amanda Dorey will be hosting an open stage at the Riverside Community Centre, and at Bridges Tavern in Thornbury, Josh Fletcher will be hosting an open stage on Friday starting at 8 pm.  These additions mean that aspiring performers and fans of the surprising grab bag that an open stage can be now have the opportunity to enjoy one every night of the week except Saturday and Monday.

In chronological order, the open stages nearby are The Barn Coop on Sunday at noon; Heartwood’s bi-monthly open mic Tuesday at 8; The granddaddy of all open jams at Ted’s Range Road Diner, and Bruce Wine Bar with Drew McIvor both on Wednesdays at 8; Chris Scerri at The Leeky Canoe Thursdays at nine; also on Thursdays, Dave Russell at The Corner Café and Craig Smith at CROW; Friday afternoon, at the Bleeding Carrot, Kelly Babcock hosts the open stage, and now on Friday evening there is Josh at Bridges and on Saturday afternoon Amanda at Riverside.   That adds up to a lot of free entertainment that mixes the best musicians in the area with undiscovered talents.

Jayden Grahlman Kicks Off CROW Residency With A Benefit

Tonight (Oct. 4), Jayden Grahlman kicks off his month-long residency at CROW Bar and Variety in a very special way, raising funds for Josh Noronha, the young Collingwood man who broke his neck in a trampoline accident and is paralysed from the chest down.  For this special event he has enlisted the aid of other local talents Romney Getty, Drew Wright and Coming of Age.

This is the third such residency since CROW opened its doors this summer.  The first one featured Austin McCarthy and the second one presented the duo Hunnay, with Dave Russell.  The feature has been well received by both audiences and the players who have welcomed this opportunity to build an audience at the same time as they build their chops.

Normally there is no cover for these nights.  Tonight is an exception.  They are asking for $20 at the door because it is a fundraiser for a very special young man.  In addition to the door receipts, further funds will be raised through a 50/50 draw and a Silent Auction.  On top of that, CROW Bar and Variety will be generously donating a percentage of food sales.

The fundraiser is necessary because the lifelong costs resulting from an accident of this kind can be as challenging as the recovery process. In addition to the costs of meals, traveling and parking for Josh’s immediate family while he undergoes physio, occupational and recreational therapies at the Lyndhurst rehab centre, the family is looking at ongoing costs that include mobility, housing renovations, training, living expenses, caregivers, physical therapy and psychotherapy.